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The Utopian model of panopticon in the art space
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The Utopian model of panopticon in the art space
Annotation
PII
S0236-20070000392-2-1
DOI
10.31857/S70000392-2-1
Publication type
Article
Status
Published
Authors
Natalia Marievskaya 
Edition
Issue 5
Pages
167-182
Abstract
The article considers panopticon as one of the sustainable social field models that nowadays cinematograph has carried out. An analysis of the European directors' films space structure makes it possible to identify an analogy between this space, on the one hand, and the structure of normalizing spaces postulated by J. Bentham in order to establish happiness and well-being in the society, on the other. By revealing the crisis of basic normalizing institutions, cinematograph declares the fiasco of the most important utopia of the Modern, thus, in its own way, confirming the Humanity.
Keywords
SOCIAL SPACE, ART SPACE, UTOPIA, PANOPTICON, CINEMATOGRAPH, UTILITARISM
Number of purchasers
4
Views
1046
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0.0 (0 votes)
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