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1000 and 1 "Gioconda"
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1000 and 1 "Gioconda"
Annotation
PII
S0236-20070000616-8-1
Publication type
Article
Status
Published
Authors
Valentin Dovgiy 
Edition
Issue 5
Pages
63-72
Abstract
There are two ways to display movement and time in painting. The first one is to display consecutive images of key scenes - this way has led to invention of cinema. The second way is a simultaneous combination of different existential and temporal elements of a figure in the same picture. Some properties of human visual perception underlying the second approach are identified. Leonardo da Vinci in his portrait of Mona Liza has suggested and carried out such a synthesis from variety of elements. The photograph interpretating "Gioconda" is presented.
Keywords
TIME DISPLAY IN PAINTING, PORTRAIT FRAGMENT, PORTRAIT SYNTHESIS, LEONARDO DA VINCI, PHOTOGRAPH, MOVEMENT DISPLAY, "GIOCONDA"
Date of publication
01.10.2011
Number of purchasers
1
Views
1098
Readers community rating
0.0 (0 votes)
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References



Additional sources and materials

1. Leonardo da Vinchi. Kniga o zhivopisi. M., 1934. 
 2. Vendrovskij K.V. Izobretenie gospodina Dagera // Khimiya i zhizn'. 1984. № 9. S. 74. 
 3. Ehjzenshtejn S.M. Gordost' // Iskusstvo kino. 1940. № 1. S. 19. 
 4. Sfumato // BSEh. M., 1976. T. 25. S. 121. 
 5. Leonardo da Vinchi. Kniga o zhivopisi. S. 162. 
 6. Didro D. Salony: v 2 t. M., 1989. T. 1. S. 212. 
 7. Korolenko Ts.P., Frolova G.V. Vselennaya vnutri tebya. Novosibirsk, 1979. S. 58. 
 8. Leonardo da Vinchi. Ob istinnoj i lozhnoj nauke // Izbrannye estestvennonauchnye proizvedeniya. M., 1995. S. 9.

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