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"Ida": Traumatic memory in the contemporary cinematograph
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"Ida": Traumatic memory in the contemporary cinematograph
Annotation
PII
S0236-20070000616-8-1
Publication type
Article
Status
Published
Authors
Alexander Tsygankov 
ORCID: 0000-0002-1216-1042
Edition
Issue 6
Pages
161-166
Abstract
The direct connection between a cinemaic text ("Ida" by P. Pawlikovsky) and some ideas of Husserl's phenomenology is traced. A phenomenological description of individual memory of the main characters of the film is made serving as the base for explication of relations to traumatic memory of the past that is present implicitly in the film. Two forms of the "oblivion"phe-nomenon are determined, the first being purposeful oblivion and the second - non-purposeful one.
Keywords
TRAUMATIC MEMORY, HISTORICAL MEMORY, PHENOMENOLOGY OF MEMORY, MODERN CINEMA, WORLD WAR II, "IDA"
Date of publication
01.12.2015
Number of purchasers
1
Views
1185
Readers community rating
0.0 (0 votes)
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